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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Gotta catch 'em all

About Face article

Angus Trumble grabs his life jacket and rides the Pokémon GO tsunami.

A papal pet encounter

About Face article

In honour of the launch of the Popular Pet Show, Angus recalls a diplomatic incident with an over-excited golden retriever.

'Moses' by Michelangelo, c. 1513–1515

Not perspiring, but glowing.

The cultural history of radiance.
About Face article

Angus Trumble explores the creative manifestations of radiance.

Portrait of HRH Crown Princess Mary of Denmark

Tribute: Mary Isabel Murphy

About Face article

The Chairman, Board, Director and all the staff of the National Portrait Gallery mourn the loss of our Benefactor, Mary Isabel Murphy.

Mary, Queen of Scots by unknown artist, National Portrait Gallery of London

Portrait dendrochronology

About Face article

Angus's latest Trumbology is accompanied by the following caveat: 'This one is reeeeeeally geeky.'

Angus Trumble and Brownie

A bear of great substance

About Face article

Just in time for Christmas, Angus reflects on the most special present he has ever received.

Sir Thomas Stamford Bingley Raffles, 1824 by James Thomson

Audacity, audacity, audacity

About Face article

Angus delves into the biographies of two ambitious characters; Sir Stamford Raffles and Sir John Pope-Hennessy.

Anangu landscape learning

About Face article

Angus' initial perception of Uluru shifts, as he comes to see it as central to the entire order of Anangu life.

Anna Matveyevna Pavlova (1885–1931)

The Pavlova

About Face article

It is a painful truth, but one which must be faced up to, that the pavlova, that iconic Australian dessert, a staple since the 1930s, was actually invented in New Zealand.

Louise, daughter of the Hon. L. L. Smith by Tom Roberts, 1888

An Australian in Paris

About Face article

This week it is impossible not to contemplate the ways in which France has touched many Australian lives.

Angkor Wat

Angkor Wat

About Face article

Nothing quite prepares the first-time visitor to Cambodia for the scale and grandeur of the monuments of the ancient Khmer civilisation of Angkor.

Lustre, held by a Groom, ca. 1762 by George Stubbs

Stubbs and the horse

About Face article

One of the chief aims of George Stubbs, 1724–1806, the late Judy Egerton’s great 198485 exhibition at the Tate Gallery was to provide an eloquent rebuttal to Josiah Wedgwood’s famous remark of 1780: “Noboby suspects Mr Stubs [sic] of painting anything but horses & lions, or dogs & tigers.”

Lee Kernaghan near Broken Hill

Milestones

About Face article

This month I turn fifty, soI am just now looking rather more closely than usual at Fiona Foley, Steven Heathcote, Brenda Croft, Russell Crowe, Jeff Fenech, Akira Isogawa, Lee Kernaghan, My Le Thi, Shona Wilson and Mark Taylor AO, mindful that they too were 1964 arrivals. 

Professor Mandyam Srinivasan

Brains trust

About Face article

Eminent doctors and scientists have for more than a century consistently caused our nation to punch far above her weight.

On the passage and pace of time

About Face article

In shock it fluctuates and with age, accelerates. Remembering the First World War and the Easter Rising.

Queen Alexandra and Dowager Empress Marie Feodorovna of Russia, Hvidore, circa 1908 by Mary Steen

The cost of living luxuriously

About Face article

In 1904, the Dowager Empress Marie Feodorovna of Russia purchased as a gift for her sister, Queen Alexandra, a fan composed of two-color gold, guilloché enamel, mother-of-pearl, blond tortoiseshell, gold sequins, silk, cabochon rubies, and rose diamonds from the House of Fabergé in Saint Petersburg.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency